Saturday, March 25, 2017

The Misadventures of Mike Brannigan (Part Five)

A Series of Mike Brannigan Events

Departure of a steamship, from the Annals of San Francisco. Image courtesy of the McCune Collection.

When Mike Brannigan was driven into exile from San Francisco by the Vigilance Committee, not everyone was happy to see him go. As the Daily Evening Bulletin admitted:
Mike, although he struck one woman in the face with a horsewhip, was a great favorite with certain others. He had formed associations and connections, very low ones indeed, but nevertheless they were associations, and he had quite a number of this class who would hail his safe re-appearance.

Mike was especially popular with the prostitutes of San Francisco—most likely, because he brought them clients—and the Bulletin reported that the bordellos of Pike street (now Waverly Place) competed in giving him the best going-away gift. The women of one house gave him a purse of money; another house gave him a diamond breast-pin. The famous Belle Cora herself—who had recently been married and widowed in one day, thanks to the Vigilantes—gave Mike some suits of clothing which had belonged to her late lover, the gambler Charles Cora.

New York City harbor in 1856; detail of a print by Nathaniel Currier.

Mike quickly made his way to New York City where he joined a group of San Franciscans in exile, including “Dutch Charley” Duane, prizefighter Billy Mulligan, and Mike’s former boss Johnny Crowe. Crowe—who could easily star in his own series of Misadventures—had also been exiled by the Vigilance Committee, for reasons that remain unclear (according to one observer, it was for being “a noisy, blatant, meddlesome fellow”).

The exiles were busy plotting revenge, mostly by filing lawsuits, though Mulligan took it upon himself to beat the crap out of any Committee sympathizers he came across in New York. Duane was hoping that the Vigilante movement would soon run out of steam, allowing the exiles a chance to return to San Francisco. The problem was deciding which of them should make the trip home first, thus serving as the guinea pig to tell whether the Vigilance Committee would execute them or not.

When Mike Brannigan showed up, they chose him as their test subject. Duane and Mulligan pestered Mike to make the trip home. As Mike later explained it:
It was a pretty sharp game in them, to want to try the experiment on me, and see how it would go. ... If I got hung, they would stay away; and if my returning took pretty well with the people, why they would come and try it too.

Even Senator John Weller helped put the pressure on Mike. He eventually caved. Duane, Mulligan, and Crowe saw him off at the docks.
Daily Alta California: Michael Brannigan left New York on the Texas, and, loudly protesting his innocence and threatening all sorts of horrible feats, announced his intention of returning to California and sacrifice himself.

YOU HAVE DIED OF SCURVY: Sailing the long way around Cape Horn wasn't much safer than crossing overland like a sucker. 

There were three ways to get to California in those days. The absolute worst and most dangerous way was to cross overland, as any modern player of Oregon Trail can tell you. The second-worst way was to sail around Cape Horn, a voyage of eight to twelve months, during which any number of things could go wrong.

The Nicaragua crossing, plied by Cornelius Vanderbilt's Accessory Transit Company. The "proposed canals" were never built. Image from

The best, and quickest route, was to cross Central America, though in the days before the Panama canal, this meant choosing one of three overland treks. Mike took the Nicaragua route which had been blazed by Cornelius Vanderbilt’s steamship empire. This required several steps. First, a week’s travel by steamer from New York to the Caribbean port of San Juan del Norte, also called Greytown. From there, travellers boarded a river steamer which took them up the San Juan River and across Lake Managua to the town of Rivas. The remaining twelve miles to the Pacific coast were crossed by stagecoach, muleback, or on foot, ending at the port of San Juan del Sur, where steamships could be boarded for the final two-week voyage to San Francisco.

Mike made it most of the way.

The other exiles loaned Mike some money for the voyage (he seems to have already run through what the prostitutes had given him), but he soon lost it gambling on the return trip, then “launched out in a tide of drunkenness and blackguardism.” By the time Mike landed in Nicaragua he was getting more and more uproarious. On the river steamer up the San Juan he became increasingly drunk, scandalously “exposing his person indecently in the cabin.” After starting—and losing—a series of fights with other passengers, Mike had used up everybody's patience, and the captain of the ship had him tied up on the lower deck for the rest of the trip.

Arriving at the Pacific port of San Juan del Sur, Mike got into a fight with a soldier, who beat him so badly “it was hard to tell what color his face had been the morning previous.”

Finally making his way to the docks, he tried to board the steamer Sierra Nevada, headed for San Francisco. Mike’s reputation, however, preceded him, and the captain refused to let him on board. The Sierra Nevada sailed away, leaving Mike stranded. He would have to find another way back to San Francisco.

The port of San Juan del Sur, Nicaragua, where Mike was stranded. Image from Wikimedia Commons.
(Read Part Six: William Walker's War)

Saturday, March 18, 2017

The Misadventures of Mike Brannigan (Part Four)

Exiled by the Vigilance Committee!

May 14, 1856: San Francisco's sad tradition of political assassinations starts with a bang, as Casey shoots King outside the Montgomery Block. Illustration for Frank Leslie's Illustrated Newspaper (

(Read Part Three: The Worst Cabdriver in San Francisco)

Two quarrels, and four murders, set off San Francisco’s own civil war in 1856. The first quarrel was between high-society couple William and Sarah Richardson, and low-society couple Belle and Charles Cora. Belle was a famous, beautiful prostitute, and Charles was a handsome gambling impresario. The Richardsons were far less interesting, so when Sarah Richardson and Belle Cora threw parties on the same evening, everyone who was anyone went to Belle’s party. Tensions grew until the men had a scuffle in the street, resulting in Richardson’s death, and Cora’s arrest for murder.

While Cora was still lingering in jail, the other quarrel came to a head. This was between rival newspaper editors James P. Casey of the Sunday Times, and James King of William of the Daily Evening Bulletin. Casey was a violence-prone, ballot-box-stuffing politician, and an ally of David Broderick; James King (who added “of William” to his name to make it flashier) was a flashy, pretentious, outspoken, in-everybody’s-face journalist, on a self-appointed crusade to expose political corruption wherever he could find it, whether it existed or not—especially if it could be tied to Broderick and his political machine. They fired accusations and smears at each other from their respective editorial offices. When King published revelations that Casey had spent time in New York’s Sing Sing prison, Casey walked up to him in the street and coldly shot him, point-blank.

Casey and Cora are hanged at Fort Gunnybags, May 22, 1856. Illustration from the Daily Town Talk, a pro-Vigilante newspaper. (Online Archive of California/Bancroft Library).
King’s death ignited the city like a match. To many, Casey and Cora represented the degenerate, nefarious, frontier lawlessness of the city’s early days; while their victims, Richardson and King, represented hope for a law-abiding, respectable future. Ironically, this desire for peace and justice led to a reign of terror. For the second time, a Committee of Vigilance formed, and swiftly seized power in the city. Squads of volunteers armed with bayonets stormed the city prison, taking Casey and Cora captive. The two men were summarily “tried” by the Vigilantes, and hanged at the Committee headquarters, known as Fort Gunnybags.

Not content with these deaths, the Vigilance Committee embarked on a campaign to banish from the city all of the “shoulder-strikers” and political thugs who had operated during the city’s elections. Although all of the city’s political parties employed similar tactics, the Committee’s ire fell primarily on David Broderick’s Free-Soil wing of the Democratic party (though Broderick himself was untouchable). Among the first wave of those the Committee banished were “Dutch Charley” Duane and several of his pugilist associates.

As the Committee worked through its list of criminal suspects and unpopular characters to ban from the city, their thoughts inevitably turned to Mike Brannigan. Not only was he a member of Broderick and Casey’s political camp (though a lowly foot soldier), he was also a friend of Belle and Charles Cora. Mike may have known the Coras from New Orleans; he drove his carriage in Charles Cora’s funeral, though he later insisted he was just hired for the job. And of course, his recent trial, and lack of punishment, for whipping a woman in the street was a sore point in the public’s memory. The Committee decided that Mike had to go.

City Hall and the Plaza cabstand, where Mike Brannigan was standing for hire on July 7, 1856. (Detail of image from Online Archive of California/Bancroft Library).
There was just one problem—Mike was standing for hire in the Plaza cabstand, which, being across from City Hall, was in the one part of the city where the Vigilance Committee’s opponents, who called themselves the “Law and Order” faction, still had control. To lure Mike away from this safe haven, the Committee members hatched a cunning ploy. Several newspapers recounted the tale with relish:
Sacramento Daily Union: Mike was sitting on the box of his hack, which was standing on Kearny street, near the City Hall, when a couple of gentlemen stopped and beckoned to him. “Cab, sir?” said Mike, jumping down and lowering the steps. “Yes,” replied the gentlemen, getting in. “Where to?”

The two “gentlemen” were members of the Vigilance Committee, and their destination was the Committee headquarters at Sacramento and Front, so-called “Fort Gunnybags,” where Mike would be arrested; but
Wide West: ... to avoid any excitement, [they] told Mike, who was standing on Kearny street, that [they] wanted him to drive down to the American Exchange on Sansome street, to get a load of passengers...

Daily Union: In an instant, Mike was in his seat, and cracking his whip—he shouted, “Get along! look out there! keep out of the way!” and drove in hot speed to the Fort.
Daily Evening Bulletin: When they arrived below Front, and in the vicinity of the Committee Rooms, they knocked upon the window of the hack, and Mike, stopping his horses, jumped from his seat, and opened the door, in an exceedingly accomodating manner.
True Californian: “All right, sir! here we are,” said Cabby, assisting the gentlemen out—”fare, dollar a piece, sir,” extending his palm. “Well, Mike, it’s all right, we’ll settle it up stairs.”
Daily Evening Bulletin: As soon as the Vigilants lighted on the ground, they took hold of Mike, one upon each side, and told him that he was a prisoner of the Committee...
Daily Union: The light broke in on Michael like a flash, and he saw that he was sold. In a bewildered and incoherent manner he inquired what he was arrested for, and what was to become of his cab. He was told there were several little things against his character, of which he would learn more up stairs, and that the cab would be sent to the stable.

It doesn’t sound like poor Mike ever got paid for the ride, or for that matter, got his cab back. The Committee pronounced a sentence of banishment on him—one of several dozen men ordered “to leave the State of California, never to return”—with strong implications of a bad end along the lines of Cora and Casey, should they step foot again in San Francisco.

On August 5th, 1856, a squad of Vigilante guards escorted Mike and three other prisoners down to the Pacific Mail docks. There was a busy scene on the wharf that afternoon; one hundred and forty San Francisco recruits were sailing for Nicaragua to join William Walker's mercenary army.

The Pacific Mail Steamer SS Sonora, on which Mike Brannigan rode into exile.
The Vigilante guards marched Mike onto the steamer Sonora, bound for Panama. He was twenty-seven years old, and exiled from San Francisco.

Thursday, March 16, 2017

We need better reporting from NPR about Uber

Here is the rant I just sent to NPR, regarding their recent Marketplace segment, "Why ride sharing companies are absent from SXSW":
As a transportation scholar who has conducted research on e-hailing services, including Uber and Lyft, I was surprised and disappointed to hear Molly Woods’ one-sided reporting from the SXSW conference. Your segment, “Why ride sharing companies are absent from SXSW” is 1) misleading (there are plenty of e-hailing companies in Austin, including both taxicabs and “ridesharing” services), and 2) your segment did not actually address the question of why Uber and Lyft are absent!
Uber and Lyft voluntarily left the city to avoid regulations which the voting public approved of. Regulatory limitations on Uber and Lyft, as well as AirBnB, are based on serious considerations of economic and social welfare—but these were dismissed as “quirky” on NPR, the one network from which we expect a more critical and even-handed perspective, now more than ever.
Just as infuriating were the implications that, for daring to challenge these corporations, Austin is somehow backwards, or non-tech-friendly. While other cities are still stuck with Uber and Lyft, Austin is incubating the next generation of e-hailing services—more responsible, and more accountable than the corporate giants. 
What the world wants to know—and what NPR can more responsibly report on—is how well these new, non-Uber-and-Lyft e-hailing companies are servicing Austin. We all know that companies like Uber are unsustainable. Austin is the place where we see what will happen next—please give us some reporting on that

I normally try to stay away from comments or emails like this, but this time I couldn't help it. I think I showed great restraint by not even asking them why they are still calling it "ridesharing" (though they must know better by now)...

I haven't looked closely at what has been happening in Austin since my early post about "ridesharing" apps swarming into Austin, right after Uber and Lyft left. It would be great to see some real reporting on how the new, local apps are working out. For a good start at this, see this recent article on Shareable.

Sunday, March 12, 2017

The Misadventures of Mike Brannigan (Part Three)

The Worst Cabdriver in San Francisco

Carriages waiting for hire along the Plaza in 1855. In the distance, the harbor is a forest of masts. (Detail of image from the Online Archive of California)

(Read Part One)
(Read Part Two)

By the mid 1850s, San Francisco was starting to settle down and take itself more seriously as a city. The hack and cab business followed suit. For the majority of cabdrivers, this meant seeking respectability. These drivers worked to cultivate a reputation for honesty, reliability, and skill to attract repeat clientele. They could be found waiting for hire at established locations such as livery stables, or along the sides of the Plaza (today’s Portsmouth Square). Some drivers spent extraordinary amounts of money (sometimes more than the price of a house) buying fancy carriages to attract customers—as seen in the advertisement below, run by one such driver in 1855:

Advertisement in Daily Alta California, 1855. (California Digital Newspaper Collection). (More on John Glover)

Not all drivers found themselves able or willing to compete in this fashion. Some turned to cheating, even robbing passengers. Keeping alive the rough frontier ethos which the rest of San Francisco was trying to live down, such drivers prowled the streets at night, or hung around the wharf preying upon “verdant” newcomers to the city, who, unlike city residents, had no idea what cab rides were supposed to cost, or how to tell the difference between trustworthy and untrustworthy drivers. Once these drivers lured unsuspecting passengers into their cabs, they would carry them off to remote locations to shake them down for many times the amount of the legal cab fare. Call it the first “surge pricing.”

Some of the more notorious of these drivers became local celebrities of the love-to-hate variety; many of them went by colorful nicknames such as “Grizzly,” “Calico Pete,” “San Juan Jack,” and “Sinbad.” The most notorious of all was Mike Brannigan. He didn’t use, or need, a nickname. Everyone knew who Mike Brannigan was.

Mike had a reputation for violence. It was alleged that he carried a blackjack for beating uncooperative passengers into submission. He was a known thief, and had once bitten the nose off another cabdriver in a fight, but nothing tended to stick because of his political connections. These came with his second job, as a “shoulder striker,” or political enforcer for the local Democratic party, working during elections to make sure the voting went the right way.

It seems Mike was also a reckless driver. He ran down pedestrians on two separate occasions in the fall of 1854. After his second victim, Mike was sentenced to sixty days in jail; as the Daily Placer Times crowed, Mike was finally

CAUGHT AT LAST—Michael Brannagan, who has been arrested several times, but always contrived to escape the meshes of the law by aid of ingenious counsel, was sentenced on Saturday to sixty days in the county jail, for deliberately running over a quiet peaceable Frenchman, who was at work in the street. Brannagan was drunk at the time and was driving a hack.

Mike was soon to get in even bigger trouble. In April, 1856, a young woman named Frances Willis stepped off a steamer at the wharf, having returned from a trip to Sacramento. Frances was expecting to be picked up by her regular cabdriver, Johnny Crowe. Instead she was met at the wharf by Mike Brannigan, who told her that Johnny was unavailable, and he was to pick her up instead. Frances gave him her bags to load into his carriage. She probably knew Mike, as they had both lived in New Orleans before coming to San Francisco, as had Johnny Crowe as well.

But Johnny had made no arrangement for Mike to pick up his passenger—Mike was just trying to “steal a load.” Johnny turned up a moment later, and Frances got into his vehicle, angrily demanding that Mike return her luggage. Instead, Mike drove off with her bags to her home on St. Mary’s Place (now part of St. Mary’s Square). When she arrived with Johnny, Mike demanded she pay him $5 for transporting her luggage, which she refused to do. Mike resorted to “very insulting language” until the police arrived, and he was forced to give up the luggage, having made no money from the trip.

Mike couldn’t take defeat easily, and waited for his chance to get even. This came one evening a few weeks later, when Frances Willis came innocently walking down Washington street past the Plaza, where Mike was sitting on his hack, waiting for a fare. As she walked by, Mike suddenly yelled an insult and cracked his whip, striking her across the face.

Of all the despicable things Mike had done so far, this was considered the most shameful. Newspapers took to calling him “woman-whipper,” a name which stuck to him for years. Mike was hauled before the Recorder’s Court to be charged with assault and battery. His guilt was obvious. Mike had only one weapon to use against Frances: her race.

Frances, it turns out, had a white father and a black mother. Much like a much more famous early San Franciscan, Mary Ellen Pleasant (who was also from New Orleans), she had been considered black in New Orleans, but could pass for white in San Francisco.

According to California law at this time, “No black or mulatto person, or Indian, shall be allowed to give evidence in favor of, or against a white man” (this was interpreted as including Asians as well). Not only was this law horribly racist, it actually encouraged crime, by making it difficult to convict any white man of a crime unless there were white witnesses. To get off scot free, Mike had only to prove that Frances wasn’t white.

Mike and his defense attorney, Colonel James, succeeded in turning the main issue of the trial away from Mike’s guilt or innocence, into the question of whether Frances was black or white. After a long debate, the exasperated judge declared that because Frances looked white, she must be white, so her testimony against Mike was admissible. The jury took just forty-five seconds to convict.

Mike was sentenced to pay a $100 fine, or spend ten days in jail. His attorney promptly appealed the case on another technicality, and Mike was set free on bail. The newspapers expressed anger and bewilderment that the “woman-whipper” Mike Brannigan had been set free yet again.

The Brannigan case had one positive outcome—it helped influence public opinion against the so-called “Negro Testimony” law, which was repealed in 1863.

Mike’s appeal dragged on in court for several months before ultimately being dismissed. But by the time he was finally and definitively found guilty of his assault on Frances Willis, it no longer mattered.

By then, Mike Brannigan had fled San Francisco, in fear for his life.

(Next: Exiled by the Vigilance Committee!)

Saturday, March 4, 2017

Disrupt the Disruptors! An Interview with Kelly Dessaint

Cabdriver, zine publisher, and Examiner columnist Kelly Dessaint’s Behind the Wheel series is a must-read for anyone interested in an on-the ground view of how tech gentrification and the “sharing” economy have transformed the experience of life and work in San Francisco.

Kelly Dessaint's Behind the Wheel series chronicles his path from Uber/Lyft driver to licensed San Francisco taxi driver. They are available in print or pdf from his website, as well as from Amazon. He also writes the I Drive SF column for the Examiner.

I’m inbound on Post street. While I wait for the light to change at Jones, I practice my double bass drumming on the steering wheel along to the Slayer CD blasting from the stereo in my taxicab. (Behind the Wheel 3, page 1)

The third installment of Behind the Wheel begins and ends just like most of the stories it contains—in motion through the streets of San Francisco. Dessaint was the first driver/writer to publish about the experience of driving for Uber and Lyft, and he has since joined the ranks of the city's licensed taxi drivers. Like most writing about cabdriving, the stories in Behind the Wheel take the form of fragmentary, slice-of-life episodes, but Dessaint’s stories are unified by a sense of movement, recurring characters, and a compelling theme of analog resistance to the digital colonization of everyday life.

One of the most striking characters is San Francisco itself. At least since Tex Reed’s 1970 book Hey Taxi, San Francisco cabdrivers have been writing complicated love stories to the city. Cabdriving memoirs from other cities often emphasize a sense of the alienation of disconnected service work, or even the despair of being caught in a dead-end job. San Francisco’s cab writers—including Dessaint—don’t overlook the downsides of the work, but they always balance it with a sense of intoxication with the city, and the myriad stories of the people they drive through it. The result is a mix of light and shadow, of spleen and ideal, a performance far more human and interesting than the sugar-coated kitsch of (for example) Lyft Me Up San Francisco. Dessaint calls it “the incurable madness of taxi driving:”

San Francisco is like a drug. When it gets inside you, each moment is a revelation. Until things get ugly. (Behind the Wheel 3, page 10)

Behind the Wheel paints a psychogeographic portrait of San Francisco, joining a tradition that includes Rebecca Solnit’s Infiinite City and Gary Kamiya’s Cool, Gray City of Love. Like the “spatial stories” described by the philosopher De Certeau, Dessaint’s stories are narratives in motion, lighting up the city through the movements of a cabdriver and his passengers:

And if you’re lucky, one ride follows the next, like jigsaw puzzle pieces falling into place. One minute you’re working the swanky hotels on Snob Hill, the next you’re dropping off in the oft-forgotten Bayview, where urban detritus collects like dust bunnies under a credenza.
And you’ve seen it all, cause you’re a cabdriver, or at least you’ve seen most of it, although in reality, you don’t know fuck all. (Behind the Wheel 3, pages 58-9)

We meet a myriad of other characters of course—passengers from all walks of life, taxi drivers hanging around the garage or the cabstand—but the most interesting is Dessaint himself. Unlike the wry persona affected by many cab writers (such as the Examiner’s old Night Cabbie columnist), Dessaint reveals his own reactions to what he encounters, showing his defeats along with his triumphs, and his exhaustion, uncertainty, and anguish at the hands of abusive passengers, particularly during his “ridesharing” phase:

It’s nights like these that make me want to curl up into a fetal position and rethink this whole ridesharing deal. (Behind the Wheel 2, page 28)

As a whole, the three Behind the Wheel books tell the story of Dessaint’s growth through cabdriving, and his own arc of progress from Lyft driver, to Uber driver, to licensed San Francisco taxi driver—in a direction diametrically opposed to the official narrative of the “sharing economy.” And this is one unifying theme of the Behind the Wheel series: it is a story of defiance, an act of political activism. The series is a war-cry against the gentrification of the city, and the intrusion of tech interfaces and algorithmic manipulation into everyday life. In one of the most important chapters of Behind the Wheel 3, Dessaint teams up with a disgruntled Uber driver to confront David Plouffe himself at a tech conference. In a later chapter he argues with some passengers who don’t realize the contradiction between supporting Bernie Sanders, and patronizing Uber and Lyft:

This new gig economy is regressive. It pushes the most vulnerable members of our society into wage slavery, where they’re paid for piecework rather than given an opportunity to secure a stable income. And what’s more, instead of seeing their profits increase by working more, due to the constant Uber/Lyft price wars, they actually make less in the process. How can you support a system like that? (Behind the Wheel 3, page 55)

The Behind the Wheel series is a must-read for anyone interested in seeing the real, gritty, human reality of how work and urban space have been transformed by the tech-centric “sharing” economy (And as a bonus, each book comes with a “Disrupt the Disruptors” bumper sticker!)

My Other Car Is A Taxicab

I interviewed Kelly by email about Behind the Wheel, along with his long-running zine Piltdownlad, his Examiner column I Drive SF, and his future plans.

How did you start writing a column for the Examiner?

I'd been blogging about my experiences driving for Uber and Lyft for a while and getting a decent amount of attention. I was extremely critical of both companies and how they were treating drivers. I'd already put out the first two zines and started writing for and Broke-Ass Stuart. To explore other aspects of driving for hire, I was planning to go to taxi school and get my a-card.

On New Year's Eve 2014/2015, Flywheel ran that special where every ride was $10 and it killed business for Uber and Lyft, who'd been getting bad press about surge pricing. I worked that night and it was dismal. Just horrible. I drove around empty most of the night. The next day I wrote a blog post called "Night of the Living Taxi" that made the rounds. Several news outlets contacted me, including Joe Fitzgerald Rodriguez of The Examiner. We talked on the phone for a while and the next month he recommended me to the new editor as a modern version of the Night Cabbie, but as an Uber driver. By this time I'd already started driving a taxi, so I pitched my idea of a column about a former Uber/Lyft driver turned cab driver. The editor was interested. When we met to go over the details, he told me that one of the things he wanted to do when he took over The Examiner was revive the Night Cabbie. Of course, in the beginning, and still to this day, comparisons are made between his column and mine. Except I'm not anonymous.

Incidentally, the editor was relieved that I wanted to use my real name. Though I quickly realized the advantage the Night Cabbie had by not revealing who he was. Writing for a newspaper is restrictive because there are limits to what you can write about. Which is why I find doing the zine more liberating because I can write whatever I want. And I'm not bound by a 700 word limit.

How did you first get into writing and zine publishing?

I've always written. It's something my parents encouraged me to do for as long as I can remember. Whether it was filling notebooks with derivative song lyrics or pecking away at my mother's Royal typewriter trying to compose bawdry poems, writing was a way I was able to truly express myself. And shock the adults around me.

As a teenager, I wrote vociferously. Exploring both verse and prose before eventually settling on prose as my preferred method of communication. After getting rejected by any half-way decent magazine I found on the newsstand, I started my own zine and book publishing empire. (And by "empire" I mean that Gateway computer set up in a burned out garage behind my mother's house in East LA.)

I modeled my publications on lit journals from the 60s that I'd found in used bookstores and collected over the years, as well as contemporary handmade, photocopied punk zines coming out of the underground, listed in the back of Maximum Rocknroll and Flipside.

From there, I just kept pushing the boundaries... writing and publishing and designing... collaborating with different artists and writers until we inevitably went our own ways... usually acrimoniously. But not always...

In 2010, I started my latest project: Piltdownlad: A Personal Narrative Zine. 

How did you pick the name for the zine? Some relation to Piltdown Man?

Pitldownlad comes from an album by the D.C. band Fidelity Jones entitled "Piltdown Lad." I combined the two words for aesthetic reasons. Fidelity Jones was the first punk band I saw live, during a visit to D.C. when I was 17. "Piltdown Lad" is their only full length LP. There is very little commentary associated with the album or a title song, but I assume it's an expansion on the idea of the Piltdown Man (a fake early man) to incorporate feeling "fake" as a young (new) person. Perhaps. Or a reference to arrested development. Or, the Peter Pan complex. I don't know really... 

I used Piltdownlad as a vehicle to explore the darkness of my childhood in relation to my current existence as a writer trying to make sense of the past and the future, as well as an outlet to review equally, over-personal zines. 

Where does the Behind the Wheel series fit into this?

After ten issues, around 2014, I discovered Lyft, the ride-hail company. I thought to myself, here is something that is culturally relevant - albeit entirely absurd - that I'd love to document. Something I was convinced surely wouldn't last for long. From Lyft, I delved into Uber, which I also assumed was a fly by night operation at best. 

As I documented the stupidity, the madness, the desperation of using one's personal car as a taxicab, I stumbled onto many fascinating discoveries... Namely, that I loved driving around San Francisco, witnessing the last gasps of a city that I'd always associated with free expression and limitless artistic possibilities as tech start ups took over and molded the cultural reality into something darker and sinister... And the realization that Uber and Lyft weren't going anywhere soon. 

That's where the Behind the Wheel series was born, and from which it has evolved: detailing the nightmare of what was, and what may never be again. And holding a torch for the last bastion of analogue technology: taxi driving. 

It's safe to say I may have bit off more than I can "eschew." And now I'm in a vicious circle. But I still believe that salvation comes from hard work. And driving a taxi in San Francisco is a challenge I have yet to master. And may never master. But I am keeping notes... 

What do you mean when you say you're in a "vicious circle"?

The vicious circle I referred to is driving a taxi to write about driving a taxi... The writing comes easy. The driving, not so much. I suppose I could just work a few days each month, collect some stories, talk to other cab drivers, get their stories and do the column without subjecting myself to the physical stress, the poor financial returns and the constant sense of futility. But that's not the type of writer - or person - I am. Unfortunately, the story I want to tell requires active participation. And that comes with a plethora of consequences, both personal and financial. 

When writing the three Behind the Wheel issues, do you have a particular audience or reader(s) in mind?

I do. And it changes with each issue. When I wrote the first one I thought of readers of my previous zines. The second, people who read my blog. And the third, readers of my column. I've been fortunate to receive a decent amount of messages and comments from people who read my stuff. I don't always reply but I try to incorporate responses in future writings, either through inside jokes or references that only a few will catch.

I know from talking to taxi drivers that geography is a major issue to them when they read about locations. So I always make sure not to fuck up my cross streets or routes. Cause when I do, I immediately hear about it.

A few months back, some guy left a comment on an old column of mine in which he questioned my claim that taxis serve poor people, or the working poor, rather. His argument being that Uber is way more affordable. True, but that's irrelevant. Obviously. The complete lack of insight into how poverty works makes my mind swell each time I think about his comment. I still haven't figured out a single rebuttal because there are so many to make. When I try my mind just goes pfffffftttttttt. And yet, I find myself incorporating the subject of poverty into what I'm writing, not in a direct way, but just adding small scenes along the way. It's a subtle reply, I guess.

What are the most important things you want your readers to learn or understand from your writing?

I think writing should be exciting to read. It should be honest. It should capture the feel of a time and place. It should break rules and constantly push boundaries. I don't see much of that today. I'm often amused by things I read, but rarely am I excited. Like first discovering Henry Miller. Or Thomas Pynchon. Or Hunter Thompson. Not that I actually believe I'll ever reach that caliber, you know, but at least try, right?

Will there be a 4th Behind the Wheel? Do you have other future writing planned?

I've started working on the new BTW. Which will be mostly unpublished stuff about the daily process of driving and going into the city every day from Oakland. "The Thin Checkered Line."

Before I started documenting my experiences driving for hire I was working on other personal narratives under Piltdownlad. I'm actually hoping the new zine will lead to a return to those past stories to wrap up a manuscript I should have returned to the publisher over a year ago. I released a book about my abusive childhood several years ago and that's what led to Microcosm, the publisher, approaching me about another book that dealt specifically with punk rock as a method of recovery from abuse, called No Fun: How Punk Rock Saved My Life.  

The Behind the Wheel series is available from Dessaint's website, or from Amazon.